Smoking Bishop and Christmas Cards

“A merry Christmas, Bob! Said Scrooge, with an earnestness that could not be mistaken…I’ll raise your salary, and endeavour to assist your struggling family, and we will discuss your affairs this very afternoon, over a Christmas bowl of smoking bishop, Bob!…”

...so says the reformed Scrooge to Bob Cratchit at the end of Charles Dickens' A Christmas Carol, but did you ever wonder what Smoking Bishop was?

It's a warm mulled wine and port drink, sometimes known simply as 'Bishop', that was especially popular in Victorian times.  It's exact origins are obscure - Jonathan Swift mentions it in a poem in the late 1600s - but the name seems to have arisen from when church dignitaries were served spiced wine during visits, from the shape of the traditional punch bowl it was served in, shaped like a Bishop's Mitre, or possibly even the colour of a Bishop's robes.

Scrooge and Bob Cratchit sharing a glass of Smoking Bishop

There are several variations on the theme:

Smoking Archbisop - made with claret
Smoking Beadle - made with ginger wine and raisins
Smoking Cardinal - made with Champagne
Smoking Pope - made with burgundy

Here's an original 1836 recipe from 'Tales of the Table, Kitchen, and Larder’, By Dick Humelbergius Secundus:

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Among the ” Oxford night-caps,” bishop appears to be one of the oldest winter beverages on record, and to this very day is preferred to every other, not only by the youthful votary of Bacchus, at his evening revelry, but also by the grave Don by way of a nightcap. It is not improbable that this celebrated drink, equally known to our continental neighbours under the somewhat similar name of bischof, derived its name from the circumstance of ancient dignitaries of the church, when they honoured the university with a visit, being regaled with spiced wine.

Glasses Of Smoking Bishop

RECEIPT, OR RECIPE, TO MAKE BISHOP.

Make several incisions into the rind of a lemon; stick cloves in these incisions, and roast the said lemon by the fire. Put small but equal quantities of cinnamon, mace, cloves, and allspice, and a race of ginger, into a saucepan, with half a pint of water; let it boil until it be reduced one half. Boil one bottle of port wine ; burn a portion of the spirit out of it, by applying a lighted taper to the saucepan which contains it. Put the roasted lemons and spice into the wine; stir it up well, and let it stand near the fire ten minutes. Rub a few nobs of sugar on the rind of a lemon; put the sugar into a bowl or jug, with the juice of half a lemon, (not roasted) pour the wine upon it, sweeten it to your taste, and serve it up with the lemon and spice floating in it.


Oranges, although not used in bishop, at Oxford, are, as will appear by the following lines, written by Swift [in the late 1600s] sometimes introduced into that beverage :—
“Fine oranges,
Well roasted, with sugar and wine in a cup,
They’ll make a sweet bishop when gentlefolks sup.”

When this is put upon the table, there are few, we imagine, who would be found to say, “Nolo episcopari,” not even the Bishop of London himself.

 

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 Eliza Acton's 1845 recipe from her Modern Cookery is similar but she recommends using oranges...

“Make several incisions in the rind of a lemon,* stick cloves in these, and roast the lemon by a slow fire. Put small but equal quantities of cinnamon, cloves, mace, and allspice, with a race of ginger, into a saucepan with half a pint of water : let it boil until it is reduced one half. Boil one bottle of port wine, burn a portion of the spirit out of it
by applying a lighted paper to the saucepan. 

Put the roasted lemons and spice into the wine; stir it up well, and let it stand near the fire ten minutes. Rub a few knobs of sugar on the rind of a lemon, put the sugar into a bowl or jug, with the juice of half a lemon (not roasted), pour the wine into it, grate in some nutmeg, sweeten it to your taste, and serve it up with the lemon and spice floating in it.”

  * A Seville orange stuck with cloves, to many tastes imparts a finer flavour than the lemon.

 

Mitre-shaped punchbowl, from Eliza Acton's Modern Cookery

 

And here's a modern version which will serve around 10 people - great for entertaining!

Christmas Cards

Did you know that the first Christmas cards were sent by Sir Henry Cole, director of the Victoria and Albert Museum, in 1843.  He wanted to remind his friends that they should give to charity at Christmas but didn't have the time to sit down and write letters to them all, so he commissioned painter John Collcott Horsley to create a design that he could have printed.

Now, in the UK, we send more than 700 million Christmas cards a year!

Sir Henry Cole's first Christmas card

 

Christmas Card, printed in Germany and sent from Pittsburg, 
Pennsylvania  to Beaver County, PA in 1909

Card posted in Detroit , Michigan to an address in Fort Street, Detroit in Dec 1911. Another card that was printed in Germany

   (early 20th century card images courtesy of Lindsay/C19)

 

And that's it - no time for more posts in 2012 as I have to get on with making some Smoking Bishop! :D

Merry Christmas to all and a Happy and Healthy 2013!

  

 

 

Patricia Kiyono - The Partridge and the Peartree

Continuing with my Christmas-themed guest blogs from fellow Astraea Press authors, I'm delighted to welcome Patricia Kiyono to the blog today to talk about her Christmas Regency story, The Partridge and the Peartree   :)

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Though I've always loved to write, I didn't really start writing with a goal of being published until fairly recently. After Astraea Press accepted my story in June of 2011, I started writing in earnest. I'd been working on various manuscripts for about ten years but never completed any. So when the publication of the Legacy gave me the validation as an author, I went back to finish several others and got them on the docket. But I worried that I might soon run out of story ideas.

That notion was challenged when Astraea Press came out with a Christmas call for stories set in Regency period, specifically 1812. The story had to include a duke, as well as a reference to the Christmas Eve Ball at Holly Hall given by Lord and Lady Kringle. The requirements were simple enough. I started brainstorming plot ideas with my critique partners and my family. And then I started to write.

But even though I'd read many romances set during this time period, I was soon caught in a snag. Being an American, the concept of nobility, though definitely fascinating, is quite foreign. Here, no one is born into a title. It was a steep learning curve for me, learning about how one person addresses another depending on the speaker's position as well as the listener's.

It seemed like every other sentence I would have to stop and wonder, "How would this person talk to that person?" I found several websites that helped. But I got discouraged and nearly didn't finish the story. Thanks to some urging and last-minute help from my critique partner, I submitted The Partridge and the Peartree and to my utter surprise it's been far more successful than I ever dreamed it would be!

There is one thing I would do differently. Though I had three people proofread the manuscript before it was submitted, and two different editors approved the story, reviewers' comments show that I should have consulted a Regency expert. There are events in my storyline that would not have happened during this period, and someone well versed in this era would have caught them. Thankfully, most of the reviewers were kind enough to say that despite the inaccuracies, they liked my characters. If I ever venture into this genre again, I would definitely consult one of those people — maybe one of the reviewers!

Phillip Peartree, Duke of Bartlett, dreamed of a peaceful life with a suitable mate until a hunting accident left him scarred and nearly deaf. Resigned to spending the rest of his days alone, Phillip has devoted himself to rebuilding his family estate. But, a chance encounter with a lovely young woman in a dusty bookstore rekindles his almost-forgotten hopes and dreams.

Lady Amelia Partridge has no time for the frivolity of the London social scene. She is much too busy. In addition to her work with the Ladies Literary Society, she has a mission – educating poor children in the city. She also has a secret life, one she fears might drive away the young duke who has become increasingly important to her.

The Partridge and the Peartree is available at Astraea Press, Amazon, AmazonUK, Barnes and Noble, and Smashwords.

Patricia Kiyono can be found on facebook, her blog, and twitter (@PatriciaKiyono).


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Thanks for being a guest on my blog, Patricia - The Partridge and the Peartree sounds an intriguing read and I love the way you have worked in the names/title!  It has a great cover too :)